45 Mins
Moving Across Space - Mobilising Joints
Mobilising our muscles and connective joints and tissues with repetitive fluid movements that help us move through the whole body. Feeling space and extension open up as fascia gets juiced and movements become freer.
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Shoulder/Balance Blast
Moving our arms in all directions, focusing on mobility around the joint as well as strengthening and toning the arms. We practice mobility drills, mixing up how we practice traditional poses and finish with some wrappy pretzel type poses just for fun :-)
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1/2 Lotus, Lotus Prep
Hip opening focused on working towards 1/2 lotus and full lotus. These are the final postures we attempt, along the way we focus on those movements that open and soften the hip joint, mobilise the legs in different directions as well as open the whole front body.
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The Power of the Legs
Strong legs are integral to a strong core, they make function and movement so much more efficient when combined with flexibility. This will make your abdominals stronger and is a lot of fun to practice this sequence regularly.
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Simplicity, Synchronicity and Usability
This class was created to be part of a daily practice sequence. A coverage of movement and mobility through the entire body with a balance of all the elements to open everywhere; abdominals, vinyasa, shoulders, balance, hips, and a long constructive rest sequence at the end.
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Hippy Dippy
This will get you deep in to your hips joints, hip flexors and hip rotaors. We explore a way of practising standing poses on the floor that opens you up in a way you could never do whilst standing. Allowing for much greater freedom of movement and even the possibility of moving in to half lotus (maybe even full lotus).
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Lift & Elevation - Structure
Like any good structure, our bodies rely on a good foundation and good mechanics to function well. There is a lot of pubic bone action in this practice, calling attention to the LIFT safeguards our lower back, stabilises our pelvis, works our ‘core’ and allows us to connect to the legs below and the chest above for satisfying back ‘bends’ AND incredible forward ‘bends’. A note to say it’s not really bending, it’s extending.
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Transitions - Variations In Movement
It’s good to mix things up and feel playful in your practice. What keeps our brain functioning well is doing new things or the same things in a different way. There is nothing unfamiliar in the posses we do in this class but the way we move in to them and the transitions are all different. This can mean that we take ourselves by surprise and find accessibility in the seemingly inaccessible. Have fun :-)
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Twists & Turns
Working on keeping the spine’s ability to move in all directions is key to long term spinal health. Rotation of the torso is dependant on the super highway of muscles that connect from and to the pelvis and shoulders and all that passes in between. They help keep us upright, help move, rotate and extend the torso. Here we explore twist and rotations aimed at freeing the ribcage.
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Piriformis - Outer Leg Stretch
The piriformis is a muscle that runs from your lower spine through your butt to the top of your outer thigh. It aids in almost every movement of your lower body and the sciatic nerve runs underneath it. It is a muscle I have become more and more aware of the more I ride on a spin bike. Often our injuries or niggles are our biggest learning tool and it highlights where we may be loading or over using certain parts of our body and where we need to seek balance or healing. This is an indulgent class for me because all of these stretches target the piriformis and outer leg/IT band, easing tension in the hip rotators and lower back.
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Compression to Expansion
In this sequencing we explore hugging in and stretching out the legs. It is helpful to explore poses that require long extension of our limbs by first feeling how it feels to shorten the leg first, going from small to big. Still stretching but in a different way, we notice and feel different sensations in the body.
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Free and Open Upper Back
This is fun class and recorded in the first week of the new year so great for when you have some energy to expend and you also want a jump start. Energetic standing poses and transitions with a focus on opening the upper back and the back of our body is our focus. We also explore lifting the chest and not always moving immediately with our heads in and out of postures.
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Open Heart Clear Head
An open heart and a clear head indicate a good practice. Mood elevation and the capacity to see clearly are the benefits of practicing yoga through all stages of life. Here we open the chest with some accessible back bends that open the chest and shoulders but also integrate with poses that lengthen the psoas and open the hip flexors and quads, cue pigeon and splits prep :-)
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Leg Extenders
Sometimes are legs are shortened by tight leg muscles, whether this be the hamstrings, quads, hips flexors, adductors or the IT band. We can create a greater feeling of ease and length in the legs by the asanas we focus on. The title picture is misleading because although we do crow pose our focus is on elongating the legs, which in turn frees congestion in the abdomen, making the whole body feels as though it can expand.
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In this fundamentals class we focus on sequencing together many of the standing and backbends we have covered so far in this series. Here we highlight the poses where we are twisting/revolving and stretching the front of the thigh/hip flexors. This particular family of backbends are more front body lengthening, bending in the back is a misnomer. The key to them is the strength and flexibility in the legs, particularly the hip flexors and the strength of the paraspinal muscles and glutes to give you stability and lift off.
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In this fundamentals class we focus on sequencing together many of the standing and seated poses we have covered so far in this series. In order to fit these in to a 45 minute session we highlight here the poses where our legs are split, one forward, one back and the chest and pelvis is forward facing; warrior 1, warrior 3, parsvotanasana. The key movement patterns and elements that make up these poses are the rotational elements in the pelvis forwards. But there are some variations to this rule as we include poses where we bring the chest to the legs or the legs to the chest and explore wrapping.
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In this fundamentals class we focus on sequencing together many of the standing and seated poses we have covered so far in this series. In order to fit these in to a 45 minute session we highlight here the poses where our legs are wide; warrior 2, trikonasana, parsvakonasana, ardha chandrasana, badha konasna, upavista konasana to name but a few. The key movement patterns and elements that make up these poses are the rotational elements in the pelvis, in the majority of the standing poses one thigh internally rotates whilst the other externally rotates. But there are some variations to this rule as we include poses that give an all round perspective to the different rotations in the pelvis/hip joint and we move the legs together, individually and separately.
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In this fundamentals class we focus on poses where we can move the arms in different directions; forwards, to the side, up and over and backwards. Opening, lifting and lengthening the sides of the body . The family of poses that require us to be very still and strong in the core of our body so we do not use either extension or flexion of the spine. We explore how our arms are connected to our whole torso rather than just being a movement that comes from our shoulders. We stabilise our centre (core) and pelvis so we don’t zig zag the body in order to balance when we are moving our limbs, principally our arms in different directions.
All these poses help us look at ways we can find more length in the side body in order to more effectively find freedom of movement in our shoulders.
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When I practiced and planned this class before teaching I realised that most of the postures required us to make ‘V’ shapes with our bodies, either by splitting the legs (one forward, one back, parallel) or by the angle we make at the hip junction between the legs and the torso. Sometimes the ‘V’ is an ‘L’ or in our finale posture an ‘X’. In actuality when practicing this sequence, when making these shapes, feel the letters your body to making.
There is a focus on needing the hamstrings to open and lengthen, and for the hip flexors and quads to help in lifting the legs but there are progressions towards each full posture. Remember when the hamstrings challenge your movement the best course of action is to add props, or modify, they will open far more successfully this way than when they are in a fear state (“You are going to snap me aren’t you?? STOP” said the hamstrings). Amongst others, we practice Navasana and variations (boat), Krounchasana (I think they call this heron) and kurmasana (which makes me think of Kermit the frog). Have fun :-)
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In this fundamentals class we focus on poses that open, lift and lengthen the upper chest and back. The family of poses that require us to lengthen and lift the front of the chest and ‘curve’ the upper portion of the spine. We include looking at up dog and cobra, warrior 1 and parivritta trikonasana as well as tabletop and bridge pose. Combining what we know about the specific standing poses and the connection to the legs we will progress through the warming up of the chest for table top and bridge. In your own practice you could progress or add in camel and full wheel.
All these poses help us look at ways we can find more length in the front of body in order to more effectively backbend safely. Using the correct action in the glutes to gain lift off, and how the use of props can give us the momentum to get going, be more supportive and give greater depth and ease to our backbends. I would also have to argue a little with the term backward bends because it implies going backwards, which technically you are. BUT it is the extension, the lift and lengthening of the front body that is key to a smooth and fulfilling backbend practice and this takes you forwards so to speak.
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In this fundamentals class we focus on Forward Folds, poses where we hinge from the hips and extend the torso forward and over our legs. We also explore poses mostly that require the legs to be together or no wider than hip width apart. What movement patterns and key elements make up these poses and how we can make it more accessible and/or experience it in new ways. Forwards folds can be experienced intensely in the hamstrings and is often what makes people avoid them. Tight hamstrings are very uncomfortable and can be a factor in causing lower back pain. So here we approach them by emphasising the parts of the legs and hips that need to ‘hold’ you before folding, to avoid a fear reflex and the possibility of causing strain through over stretching. The amount we can ‘fold’ depends on the flexibility of our hamstrings, as well as the hip rotators and often requires patience. By striking a balance between stretching and maintaining the integrity of the spine, we can have a much healthier forward extension that doesn’t make us feel like we are stuck and can’t move forward.
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In this fundamentals class we focus on poses that open and lengthen the front of the thigh. Cosmic dancer is one of these poses but I would describe this as an accessible Eka Pada Rajakapotasana (King Pigeon). The family of poses that require us to lengthen the front of the thigh and hip flexors also have the backbend element, including virasana (kneeling), ustrasana (camel), danurasana (bow) and virabadrasana 1.
All these poses help us look at ways we can find more length in the front of body in order to more effectively backbend safely. Using the correct action in the glutes to gain lift off, also seeing how the clever use of props can get us going, be more supportive and give greater depth and ease to our backbends. I would describe this as a fun and uplifting classes, accessible to all.
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In this fundamentals class we focus on Utkatasana and it’s related family poses. What movement patterns and key elements make up this pose and poses like it. It is one pose, alongside downward facing dog practiced regularly in every class that causes varying scales of discomfort. This is until you learn to love it, and you learn to love it the minute you experience it without discomfort and then the body and the brain celebrate as you practice it with ease. It’s deceptively hard because it requires flexibility in the shoulders, stability from your core and strength in your legs. In this class we look at creating flexibility in the ankles and lower leg, strength in the glutes and thighs, flexibility in the upper back and shoulders and an element of core strength to manage the correct alignment of the pelvis.
This is a pose, that when your crack it will increase your lung capacity (because of the stretch in the ribs when you take your arms over your head) and improve your posture. It will help support and strengthen the knees and strengthen the core to protect the back, which can tend to excessively arch in this pose if not practiced correctly. In this class there are tons of preparatory poses and variations of the pose to play with. The introduction of the actual full pose is from the wall so it gives you a feedback loop to know how it should feel. Then when practiced in space the angle of the pelvis, lift in the chest and extension of the arms will feel natural. Enjoy ;-)
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In this fundamentals class we focus on Virabhadrasana 1 and it’s related family poses. What movement patterns and key elements make up this pose and poses like it. It is different to Warrior 2 and Trikonasana with the rotational elements in the hip joint where the pelvis angles forward. The front leg is bent like warrior 2 and parsvakonasana but the back leg is straight like parvottanasana. Lots of names for you to remember :-) But once you get used to the key standing poses you will see how all yoga poses have similar elements in common and you will be able to carry with you your awareness from one pose to another. It is true though that you will experience it differently in different planes. Here we explore variations of virabhadrasana 1, standing, on our back, kneeling and balancing on one leg. You will see how the normal imbalances of the pelvis influence this particular pose, it has elements of a back bend so tends to be the problematic standing posture. Here we work to open the hamstrings, as well as the hip flexors and focus on lifting and opening the chest and upper back to elevate the arms up and over our head.
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