75 Mins
Many postures and movements require the joints in the ankles to be flexible, this requires good movement in the knees and the hips above. Here we play with poses where we can look at angles in these 3 joints, opening them out and closing them in like an accordion. In turn creating length and flexibility to the muscles connecting them. I have really enjoyed the creativity and experience of movement in this sequencing. Enjoy …
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Our legs are attached to our torso, the pelvis is the intersection between the two. Freedom of movement above and below is intertwined and as we create more length in our legs, more space in the pelvis the ability to lift the torso and feel longer and leaner is evident. In this class we look at muscles and movements that make us lengthen and extend upwards and outwards heading towards hanumanasana - leaping monkey pose :-)
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If I am going to receive a mobility test for my hips and or my shoulders there are a few poses that highlight where my restrictions are. For lotus, the hip is key and no amount of force to the knee or ankle should be necessary if the hips external rotation is good. Same for binding, long arms helps but it is more about a full circumferential rotation to get the hands to wrap behind you. Good chest rotation is key for the binds as is the ability to revolve the femur bones correctly in lotus. As always it is not the end goal that marks success but the journey and the awareness this journey gives you in to the mechanics and workings of your body. Your response and the work on your own practice towards full body awareness is the essence.
Read More45 Mins
In this fundamentals class we focus on sequencing together many of the standing and backbends we have covered so far in this series. Here we highlight the poses where we are twisting/revolving and stretching the front of the thigh/hip flexors. This particular family of backbends are more front body lengthening, bending in the back is a misnomer. The key to them is the strength and flexibility in the legs, particularly the hip flexors and the strength of the paraspinal muscles and glutes to give you stability and lift off.
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In this fundamentals class we focus on sequencing together many of the standing and seated poses we have covered so far in this series. In order to fit these in to a 45 minute session we highlight here the poses where our legs are split, one forward, one back and the chest and pelvis is forward facing; warrior 1, warrior 3, parsvotanasana. The key movement patterns and elements that make up these poses are the rotational elements in the pelvis forwards. But there are some variations to this rule as we include poses where we bring the chest to the legs or the legs to the chest and explore wrapping.
Read More45 Mins
In this fundamentals class we focus on sequencing together many of the standing and seated poses we have covered so far in this series. In order to fit these in to a 45 minute session we highlight here the poses where our legs are wide; warrior 2, trikonasana, parsvakonasana, ardha chandrasana, badha konasna, upavista konasana to name but a few. The key movement patterns and elements that make up these poses are the rotational elements in the pelvis, in the majority of the standing poses one thigh internally rotates whilst the other externally rotates. But there are some variations to this rule as we include poses that give an all round perspective to the different rotations in the pelvis/hip joint and we move the legs together, individually and separately.
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In this fundamentals class we focus on poses where we can move the arms in different directions; forwards, to the side, up and over and backwards. Opening, lifting and lengthening the sides of the body . The family of poses that require us to be very still and strong in the core of our body so we do not use either extension or flexion of the spine. We explore how our arms are connected to our whole torso rather than just being a movement that comes from our shoulders. We stabilise our centre (core) and pelvis so we don’t zig zag the body in order to balance when we are moving our limbs, principally our arms in different directions.
All these poses help us look at ways we can find more length in the side body in order to more effectively find freedom of movement in our shoulders.
Read More45 Mins
In this fundamentals class we focus on poses that open, lift and lengthen the upper chest and back. The family of poses that require us to lengthen and lift the front of the chest and ‘curve’ the upper portion of the spine. We include looking at up dog and cobra, warrior 1 and parivritta trikonasana as well as tabletop and bridge pose. Combining what we know about the specific standing poses and the connection to the legs we will progress through the warming up of the chest for table top and bridge. In your own practice you could progress or add in camel and full wheel.
All these poses help us look at ways we can find more length in the front of body in order to more effectively backbend safely. Using the correct action in the glutes to gain lift off, and how the use of props can give us the momentum to get going, be more supportive and give greater depth and ease to our backbends. I would also have to argue a little with the term backward bends because it implies going backwards, which technically you are. BUT it is the extension, the lift and lengthening of the front body that is key to a smooth and fulfilling backbend practice and this takes you forwards so to speak.
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In this fundamentals class we focus on Forward Folds, poses where we hinge from the hips and extend the torso forward and over our legs. We also explore poses mostly that require the legs to be together or no wider than hip width apart. What movement patterns and key elements make up these poses and how we can make it more accessible and/or experience it in new ways. Forwards folds can be experienced intensely in the hamstrings and is often what makes people avoid them. Tight hamstrings are very uncomfortable and can be a factor in causing lower back pain. So here we approach them by emphasising the parts of the legs and hips that need to ‘hold’ you before folding, to avoid a fear reflex and the possibility of causing strain through over stretching. The amount we can ‘fold’ depends on the flexibility of our hamstrings, as well as the hip rotators and often requires patience. By striking a balance between stretching and maintaining the integrity of the spine, we can have a much healthier forward extension that doesn’t make us feel like we are stuck and can’t move forward.
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In this fundamentals class we focus on poses that open and lengthen the front of the thigh. Cosmic dancer is one of these poses but I would describe this as an accessible Eka Pada Rajakapotasana (King Pigeon). The family of poses that require us to lengthen the front of the thigh and hip flexors also have the backbend element, including virasana (kneeling), ustrasana (camel), danurasana (bow) and virabadrasana 1.
All these poses help us look at ways we can find more length in the front of body in order to more effectively backbend safely. Using the correct action in the glutes to gain lift off, also seeing how the clever use of props can get us going, be more supportive and give greater depth and ease to our backbends. I would describe this as a fun and uplifting classes, accessible to all.
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In this fundamentals class we focus on Utkatasana and it’s related family poses. What movement patterns and key elements make up this pose and poses like it. It is one pose, alongside downward facing dog practiced regularly in every class that causes varying scales of discomfort. This is until you learn to love it, and you learn to love it the minute you experience it without discomfort and then the body and the brain celebrate as you practice it with ease. It’s deceptively hard because it requires flexibility in the shoulders, stability from your core and strength in your legs. In this class we look at creating flexibility in the ankles and lower leg, strength in the glutes and thighs, flexibility in the upper back and shoulders and an element of core strength to manage the correct alignment of the pelvis.
This is a pose, that when your crack it will increase your lung capacity (because of the stretch in the ribs when you take your arms over your head) and improve your posture. It will help support and strengthen the knees and strengthen the core to protect the back, which can tend to excessively arch in this pose if not practiced correctly. In this class there are tons of preparatory poses and variations of the pose to play with. The introduction of the actual full pose is from the wall so it gives you a feedback loop to know how it should feel. Then when practiced in space the angle of the pelvis, lift in the chest and extension of the arms will feel natural. Enjoy ;-)
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In this fundamentals class we focus on Virabhadrasana 1 and it’s related family poses. What movement patterns and key elements make up this pose and poses like it. It is different to Warrior 2 and Trikonasana with the rotational elements in the hip joint where the pelvis angles forward. The front leg is bent like warrior 2 and parsvakonasana but the back leg is straight like parvottanasana. Lots of names for you to remember :-) But once you get used to the key standing poses you will see how all yoga poses have similar elements in common and you will be able to carry with you your awareness from one pose to another. It is true though that you will experience it differently in different planes. Here we explore variations of virabhadrasana 1, standing, on our back, kneeling and balancing on one leg. You will see how the normal imbalances of the pelvis influence this particular pose, it has elements of a back bend so tends to be the problematic standing posture. Here we work to open the hamstrings, as well as the hip flexors and focus on lifting and opening the chest and upper back to elevate the arms up and over our head.
Read More60 Mins
In this fundamentals class we focus on Prasarita Padotanasana, a pose where the legs are wide apart and we fold forward. We also explore similar poses that require the legs to move wide apart and where there is an element of forward ‘bending’. What movement patterns and key elements make up these poses and how we can make it more accessible and/or experience it in different planes. This can be experienced intensely in the hamstrings and the inner groins and requires a fair amount of ankle stability to ensure we don’t overstretch in the outer foot. The distance we take the legs apart depends on our hips and often the shape of our pelvis and the amount we can ‘fold’ depends on the flexibility of our hamstrings and our ability to move into, stay in and move out of the pose. By striking a balance between stretching and strengthening, the placement of our feet, where we bare weight, we can have a much healthier forward extension that doesn’t comprise the integrity of the spine or make us feel like we can’t move forward.
Read More60 Mins
In this fundamentals class we focus on Parvrtta Parsvakonasana and many other Parvrttas (revolving poses/twists). Moving in to Parvrtta Ardha Chandrasana, a tricky balancing twist. What movement patterns and key elements make up these poses and how we can make it more accessible and/or experience it in different planes. What is wonderful about Parvritta Parsvakonasana is it combines elements from Parsvottanasana, Parvrtta Trikonasana and when we move towards Parvrtta Arda Chandrasana, the elements of Virabhadarasana 3/Warrior 3 that come in to play. Our base, centre of gravity and balance across the pelvis shifts and alters with each move and transition as we attempt to remain steady whilst revolving. Maintaining/creating not just the lift in the chest but avoiding compressing the abdominal organs and loosing the spaces between the ribs to breathe fully.
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In this fundamentals class we focus on Parsvakonasana, or extended side stretch pose. Moving in to Ardha Chandrasana, or half moon pose and it’s related family poses. What movement patterns and key elements make up these poses and how we can make it more accessible and/or experience it in different planes. It is similar to Virabadrasana 2 (Warrior 2) and Trikonasana (Triangle Pose) in that your base, the legs and pelvis are at the same angle/have the same directionality. We ask our spine to rotate upwards so we can lift the chest and extend the top arm overhead. The position of the legs is key to finding the length in the side body in parsvakonasana and the standing, balancing leg (ankle, knee, hip connection) is key to mastering 1/2 moon pose. If we see how all the standing poses are connected we can begin to find accessible roots for all Yoga asanas and these provide the building blocks for further exploration and are essential before doing inverted postures.
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In this fundamentals class we focus on Parvrtta Trikonasana, or revolved triangle and it’s related family poses. What movement patterns and key elements make up this pose and how we can make it more accessible. It is part of the Trikonasana family and yet your base, the legs, are the same as in parsvottanasana. We ask our spine to rotate whilst our pelvis remains level, our frontal hip bones angled down and the torso revolves up. The balance alone is tricky to navigate. The revolving of the abdomen in to each of the movements is key to all the variations in this class. The hip, knee and ankle connections, stability and/or flexibility in these joints can help or hinder our progress. But with practice and patience all the elements will come together.
Read More60 Mins
In this fundamentals class we focus on Parsvottanasana and it’s related family poses. What movement patterns and key elements make up this pose and poses like it. It is different to Warrior 2 and Trikonasana with the rotational elements in the hip joint where the pelvis angles down and both legs are straight. Here we explore variations of parsvottanasana standing, on our back, on our sides, on our front and balancing on one leg. You will see how the normal imbalances of the pelvis influence this particular pose, as well as hip mobility, ankle stability and/or flexibility, the hamstrings, knees and the elements of forward extension required.
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In this fundamentals class we focus on Warrior 2 and it’s related family poses. What movement patterns and key elements make up this pose and poses like it. It has similar features to Trikonasana with the rotational elements in the hip joint but we work with a bent rather than a straight leg (alleviating a lot of the pressure on the hamstrings). Here we explore variations of warrior 2 standing, on our back, on our sides, on our front and balancing on one leg. You will see how the normal imbalances of the pelvis influence
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In this fundamentals class we focus on Trikonasana and it’s related family poses. What movement patterns and key elements make up this pose and poses like it. As a beginner or an advanced practitioner you will see that Trikonasana is the pose that just keeps giving, it’s our greatest teacher and requires our attention to be everywhere.
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